![]() ![]() On her desk she has a book about the history of brick renders. The crisp packets, the old chips, the pigeons,” she says. It gives you complete control over all camera settings and editing features. But I'll also take a picture of how the building meets the ground, of all the dirt and everything like that. Stop Motion Studio is rightly called a studio as it has all the tools needed to create a stop motion animation. “If I see a shop that I think is cool, then I'll take a picture of that. Jennifer gets a lot of her inspiration from real life, constantly taking photos whenever she finds herself walking down particularly evocative streets or through bustling town centers. “All of these micro expressions make the difference: they’re what makes the character.” Then the LAVs are used to aid the animator as they bring the puppet to life. “We’ll be doing live action videos (LAVs) amongst ourselves, asking if it should be more like this,” says Jennifer, with a gleaming smile, “or like this,” with more of a smirk. “Conversations between the animator and director are vital,” she says. In stop motion, you can’t just tell a human actor to smile in a certain way, you need to make the puppet’s smile. “You’re constantly trying new things that haven’t been done before, because so much is possible, and each new director wants to be ambitious with their ideas.” “I think what drew me to stop motion is that every project is so different,” says Jennifer. These are the meticulous creations of Scale Model Studios-the London-based stop motion animation studio founded by Jennifer-and they’re as staggeringly realistic as they are magical. Behind her, a set of drawers are filled to the brim with fabrics, silicones, papers, gels, and fake furs-the latter, she tells me, are “great for making dogs, wolves, things like that.” And above her head, perched on a shelf, there’s two tree-dotted green hills that had been part of a quaint English village she’d created for a Rag N Bone Man music video. In the corner of the room there’s a tiny 60s-style modernist house with a tiny wheelie bin at its tiny garage door, made to feature in an advert for a shoe company. In 2022, she joined the writing team for a new Netflix animation show.Jennifer Kidd sits at the desk in her studio and explains to me how she makes miniature worlds. She is also working on her debut graphic novel, which will be published by Jonathan Cape in 2024. She is currently in development on her stop-motion feature film. She has also directed a number of commercials and music videos. Since then, Astrid has completed a BFI Network-funded short film, Red Rover, which was Oscar long-listed. In 2020, Quarantine was the third most watched free film on BFI Player. Her commissioned film, Quarantine, had its premiere at the BFI Southbank, was broadcast on BBC4 in December 2018, and is now available to watch for free on BFI Player (UK only). In 2018, Astrid was selected for the prestigious BFI / BBC4 Animation 2018 talent scheme, designed to find and support the UK’s most exciting emerging animators. How to make a stop motion animation tabletop studio set. Squirrel Island went on to screen at film festivals around the world, including Clermont-Ferrand, Tampere, LSFF, and Warsaw Film Festival, and won several prizes for Best Film. Stop Motion Studio is an app that facilitates the process of creating stop motion animations with clay, cut-outs, LEGO, you name it Its a great way to explore. They are light, sturdy, portable, quick to set up and easily folded and stored away when not in use. While making puppets and props for clients including Duracell Ford Fiesta Chivas Regal Leeds Castle Hammer & Tongs ( Hitchhiker’s Guide to the Galaxy) and a weird commission for the boyband Blue, Astrid completed her debut short film Squirrel Islandin 2016. Mock Duck Studios is a fancy name for Astrid’s garageīased in Folkestone in Kent, Mock Duck Studios was set up by animation director Astrid Goldsmith in 2012, after a decade of industry experience as a modelmaker for film and TV. This is a stop motion creation space where animation is captured with a DSLR camera one frame at a time, with a physical object that is moved between frames. ![]()
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